Thursday, February 7, 2013

The memory of odors is very rich.

"'You can boast about anything if it's all you have. Maybe the less you have, the more you are required to boast.' And it never failed that during the dry years the people forgot about the rich years, and during the wet years they lost all memory of the dry years. It was always that way."

I recently went to Taiwan - it is lovely to return, if only for a fleeting weekend. 





He covered his life with a veil of vagueness, while behind his quiet eyes a rich full life went on.

When I finished Of Mice and Men, I knew it would not be the end of my Steinbeck-journey. After ploughing through Plath, I also knew that I had to make a smart choice about my next book to read (I don't particularly want to be trapped neck-deep in a 500-page volume of self-loathing/mother-loathing rambling - albeit tenderly poetic - again). I veeeery much wanted to delve into a bildungsroman, or Fitzgerald, but I'm reading Great Expectations for English class already and reading TWO heavy bildungsromans and 19th century novels will topple me.
East of Eden is huge. I am taking the risk of being uncomfortably squished in the middle of this book (but the show must go on), so I'm reading like mad right now.
Besides, I have a friend who'll disown me if I don't read The Unbearable Lightness of Being asap, so that gives me more incentive to finish off East of Eden.
... SO FAR SO GOOD, truly! It's like the expatiated, multi-character version of Of Mice and Men.



I originally had way more quotes but I'm tired so I've cut some out.
The intense beliefs of Cyrus on an army and being a soldier -

The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out for you. ... It's better to fall in with them. They only do it to protect themselves. A thing so triumphantly illogical, so beautifully senseless as an army can't allow a question to weaken it. Within itself, if you do not hold it up to other things for comparison and derision, you'll find slowly, surely, a reason and a logic and a kind of dreadful beauty. A man who can accept it is not a worse man always, and sometimes is a much better man.
...A soldier gives up so much to get something back. From the day of a child’s birth he is taught by every circumstance, by every law and rule and right, to protect his own life. He starts with that great instinct, and everything confirms it. And then he is a soldier and he must learn to violate all of this— he must learn coldly to put himself in the way of losing his own life without going mad. 
^These are the type of proclamation that would give capitalists a heart attack.
If you can go down so low, you will be able to rise higher than you can conceive, and you will know a holy joy, a companionship almost like that of a heavenly company of angels.
^This is almost Maoist (It's got continuous revolution, only-through-social-disorder-will-we-succeed vibes)
Nearly all men are afraid, and they don’t even know what causes their fear—shadows, perplexities, dangers without names or numbers, fear of a faceless death. But if you can bring yourself to face not shadows but real death, described and recognizable, by bullet or saber, arrow or lance, then you need never be afraid again, at least not the same way you were before. Then you will be a man set apart from other men, safe where other men may cry in terror. This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth.
Intense. 

-

Things to think about as I read on (BEWARE OF SPOILERS)
Why did Edward want to kill Cathy? Out of fear? Out of self-reassurance? How is it different from how Lennie killed Curly's wife? And WHAT IS WITH John Steinbeck's portrayal of women?!

Cathy is a MONSTER, and absolutely terrifying throughout the book. She is described as so:
I believe there are monsters born in the world to human parents. [...] Just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or a malformed egg can produce physical monsters, may not the same process produce a malformed soul?Monsters are variations from the accepted normal to a greater or a less degree. As a child may be born without an arm, so one may be born without kindness or the potentialof conscience. A man who loses his arms in an accident has a great struggle to adjust himself to the lack, but one born without arms suffers only from people who find him strange. Having never had arms, he cannot miss them. Sometimes when we are little we imagine how it would be to have wings, but there is no reason to suppose it is the same feeling birds have. No, to a monster the norm must seem monstrous, since everyone is normal to himself. To the inner monster it must be even more obscure, since he has novisible thing to compare with others. To a man born without conscience, a soul-stricken man must seem ridiculous. To a criminal, honesty is foolish. You must not forget that amonster is only a variation, and that to a monster the norm is monstrous.
Diverging a tad -

The motif of cats has popped up WAY too many times in the book - originally, I thought it was a coincidence, then it JUMPED OUT AT ME WHAM and at times Adam/Charles/Cathy are even compared to cats - I don't understand -
- Also, a weak dog has been shot - of Mice and Men - esque again;
- This post is SO, so, ramble-y; it wasn't meant to turn out this way, my apologies.





Saturday, February 2, 2013

All in green my love went riding

I spent a wonderful amount of time today in a large Taiwanese bookstore properly diving into E.E. Cummings' poetry... when I read it at a younger age, I had thought,
"LAWD, THE SYNTAX - IT'S MAGICAL AND NONSENSICAL ALL AT ONCE, HOW WILL I EVER MAKE SENSE OF IT?"
And THAT'S why I shouldn't have been reading Sound and the Fury and the Great Gatsby at age 14 (although, May, good on you for loving literature) - Faulkner's prose was jibber jabber and I couldn't prod into the depths of Gatsby's love - so, lesson to self... don't-read-un-cherche-du-temps-perdu-now-you-won't-be-able-to-soak-it-up.
I'm trying to telepathically transmit the same message to my sister, but she seems to be healthily enjoying Austen, so alright.
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may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose(like a you or a me) it's always ourselves we find in the sea

Monday, January 28, 2013

Embellished by the chameleon mind

I finally finished (albeit power-skimming last 150 pages) The Unabridged Journals of Sylvia Plath, and I definitely think I would have been content with the heavily abridged version...
Nonetheless, when is it not enlightening to be exposed to the ramblings of a poet, especially Plath, with her bipolar disorder and sensitivity to the world?

It was greatly gratifying to be able to draw huge correlations between her journal entries and her famous poems (ESPECIALLY DADDY - it makes a ton more sense now; incredible how she was led to believe she killed him, due to a dream she had and the influence of her mother, whom she despised...).

For example, she wrote briefly on the death of the Rosenbergs, and the first line of The Bell Jar is "It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York."

Quotes are below.
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Writing is a religious act: it is an ordering, a reforming, a relearning and reloving of people and the world as they are and as they might be. A shaping which does not pass away like a day of typing or a day of teaching. The writing lasts: it goes about on its own in the world. People read it: react to it as to a person, a philosophy, a religion, a flower: they like it, or do not. It helps them, or it does not. It feels to intensify living: you give more, probe, ask, look, learn, and shape this: you get more: monsters, answers, color and form, knowledge. You do it for itself first. If it brings in money, how nice. You do not do it first for money. Money isn’t why you sit down at the typewriter. Not that you don’t want it. It is only too lovely when a profession pays for your bread and butter. With writing, it is maybe, maybe-not. How to live with such insecurity? With what is worst, the occasional lack or loss of faith in the writing itself? How to live with these things? The worst thing, worse than all of them, would be to live with not writing.
“I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.”

Ah, the two consider-taping-on-wall quotes for writers (feminist or not)...
“I hated men because they didn’t stay around and love me like a father: I could prick holes in them & show they were no father-material. I made them propose and then showed them they hadn’t a chance. I hated men because they didn’t have to suffer like a woman did. They could die or go to Spain. They could have fun while a woman had birth pangs. They could gamble while a woman skimped on the butter on the bread. Men, nasty lousy men.”
All girls feel like this at least one point in their lives, maybe.
“I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in life. And I am horribly limited.”

“I like people too much or not at all. I've got to go down deep, to fall into people, to really know them.”
“I love people. Everybody. I love them, I think, as a stamp collector loves his collection. Every story, every incident, every bit of conversation is raw material for me. My love's not impersonal yet not wholly subjective either. I would like to be everyone, a cripple, a dying man, a whore, and then come back to write about my thoughts, my emotions, as that person. But I am not omniscient. I have to live my life, and it is the only one I'll ever have. And you cannot regard your own life with objective curiosity all the time...”
 Classic Plath quotes about being "horribly limited."

“With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand... hopeless from the start. ”
Love the 3 below.
“Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.”
“Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those."
“Life has been some combination of fairy-tale coincidence and joie de vivre and shocks of beauty together with some hurtful self-questioning.”
SO - this is definitely a recommended read, although bear in mind that the most worthwhile sections to read are: the beginning (to get hooked on her fluid style), the bits with Ted (fascinating), and her rambles on her mother/father. The rest - inclusive of her botany-ranting, and extremely recurrent tales of two-timing - are informative, but not as meaningful to delve int (unless you're a Plath scholar, then that's a different story).

5 pages in and she will grow on you, I promise (warning: don't read if depressed, it won't alleviate the situation).

Friday, January 25, 2013

One cannot think well, love well, sleep well, if one has not dined well.

Happy birthday to Virginia Woolf, one of the most influential and important female writers of the 20th century! I haven't read enough of her work to settle on my favourite quotes, but A Room of One's Own is undoubtedly a must-read for every self-respecting feminist/ (aspiring) writer on Earth who is within a 5 km radius of it, what a stellar essay..


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The Lion's Roar is the album I have on constant play right now, it's lovely and sounds like the mountain.